Guy Ritchie’s 15th feature film “The Ministry of Ungentlemanly Warfare” has arrived in cinemas nearly a year after his last two films.
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While this eight-episode crime noir and murder mystery odyssey, which released on Netflix April 4, could be simplified down to the tale of a basic con man’s successes and blunders, the miniseries’ presentation begs the viewer to think bigger than the main character himself.
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Jake Gyllenhaal’s Dalton is the character to which a nebulous conflict of self-destruction, anxiety and focused determination belongs in this reinterpretation of the cult classic from 1989. Released almost exclusively on Prime Video on March 21, “Road House” was directed by Doug Liman and tells a similarly themed yet excessively self-conscious form of that narrative.
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A play which succeeds in provoking an audience the way “The Minutes” did could only have been written by the great American playwright Tracy Letts. Having started its run here at the College on March 20 and closing shop on March 24, audiences for five evenings straight were given an exuberant and well-mannered display of confined and claustrophobic acting tour-de-forces.
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Made on a budget of only $13 million, starring a slew of smaller character actors and branding itself as the next interrogation into the horror genre, “Imaginary” epitomizes the successful business model which Blumhouse Productions, along with its spearhead Jason Blum, have kept alive.
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The 96th Academy Awards aired this past Sunday. Below are my thoughts on three of the 10 Best Picture nominees that I feel should’ve been given more attention than they are currently receiving.
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